Monday, June 28, 2010

Andy Warhol the Catholic

So I recently finished a fantastic book by Eleanor Heartney called Postmodern Heretics: The Catholic Imagination in Contemporary Art. In it, she talks about some of the most controversial contemporary artists being either Catholics themselves or at least highly influenced by Catholicism. It's a fascinating read, and Heartney's style is very conversational and accessible.

One of the things I learned from the book is that Andy Warhol was a practicing Catholic. Heartney makes the argument that indeed not only was he Catholic, but his faith predominated his work if you look at it closely. He was obsessed with death, according to Heartney, as evidenced by his Death and Disaster paintings, and his "transormation of ordinatry objects with icons with multiple resonances."

Most of all, Heartney writes that Warhol's Catholic tendicies are seen in his exploration of the conflict between the Church's official teachings and Cathoicism's subliminal messages

Case in point- see the dyptich Last Supper/Be Somebody with a Body for a clear image of what she's talking about.

Heartney notes that Warhol, though he went to church several times a week, never went to confession or took communion. As a gay man, Warhol was both censured in his church, but was also provided a whole host (no pun intended) of images depicting homoerotic and male desire. The Catholic Church, she writes, while it officialy abhors homosexuality, contains in its history of art and literature a series of conflicts "that emerge in an outlaw sensibility and sensuality". Thus, in the Dyptich linked to above, Warhol sexualizes the Christ figure.

The chapter made me want to reexamine the Warhol pieces I'm familiar with, and look at some new ones. It definitely got me thinking about his art in a new way.

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